Over the past few months, the Bing search engine has completely blocked the domain neocities.org, including the front site and all user subdomains (example.neocities.org), from its search index.
This is not a partial demotion, a ranking issue, or a temporary crawl problem. The entire domain is completely excluded.
In addition to excluding neocities.org from search results, when we discovered the block, Bing was also placing what appeared to be a phishing attack against Neocities on the first page of search results. This is not only bad for search results, it’s very possible that it is actively dangerous. After complaints (it required several) they deranked the suspected phishing site, but neocities.org results remain blocked, and it is possibly only a matter of time before another concerning site appears on Bing searches for Neocities (it’s easy to get higher pagerank than a blocked site).
In addition to the safety concerns, this also unfairly affects over 1.5 million independent websites hosted on Neocities, the vast majority of which are personal, artistic, educational, or experimental projects with no commercial or malicious intent. These are brilliant and wonderful sites with billions of human visitors per month and they don’t deserve to be blocked from an entire search engine for no reason.
We have repeatedly attempted to resolve this through Bing’s official webmaster and support channels, and a few internal channels. Despite these efforts, Bing has declined to reverse the block or provide a clear, actionable explanation for it. At this point, we have exhausted all reasonable avenues for remediation except public disclosure.
Because of this, we are recommending that Neocities users, and the broader internet in general, not use Bing or search engines that source their results from Bing until this issue is resolved.
In addition to Bing, there are other search engines that currently rely on Bing’s search results, including but not limited to DuckDuckGo.
If you use Bing or Bing-powered search engines, Neocities sites will not appear in your search results, regardless of content quality, originality, or compliance with webmaster guidelines. If any Neocities-like sites appear on these results, they may be active phishing attacks against Neocities and should be treated with caution.
Like, ok, part of chilling out as a "book-smart" autistic person is learning to accept that the same word can have different meanings in different contexts, right? Instead of being insistent that "a tomato is a fruit and not a vegetable," one internalizes that "fruit (culinary)" and "fruit (botanical)" are overlapping but separate categories. (The key, imo, is that "vegetable" is a word that has no meaning whatsoever in modern botanical science, but clearly has a meaning in culinary contexts.) Also, understanding the importance of folk taxonomies in categorizing things by similarity in taste, or habit, or convergent anatomy. If evolutionary clades are the only categorization that matters, then yes, "fish aren't real", because a lungfish and a carp and a shark are less related to each other than a lungfish is to an antelope. But "fish" is nonetheless useful in day-to-day life to describe the common shared features of finned water-dwelling vertebrates, and it's not helpful to throw the entire tetrapod clade into the category even if it makes the "fish" category genetically coherent.
And then sometimes I halfway want to revert to the "UM acktually tomatoes are fruit" person because I'm fed up with the pendulum swing in the other direction of "words don't have to mean anything consistent or coherent at all."
One often runs into people on Tumblr who show complete disinterest, even hostility, to understanding anime/manga trope and genre terminology that don't fit into blorbo-incorrect-quotes shitpost boxes wherein all het romance is shoujo, seinen is "shounen but grittier," yaoi is a funny meme name for "gay male subtext and romance" and yuri is a funny meme name for "lesbians subtext and romance." (and not, say, manga genres that contain doujin but were formed on a bedrock of published original fiction, and formed independently of Spirk-descended anglophone shipping culture). People get mad when you point out that Skip and Loafer is seinen and not shoujo because it's het romance and doesn't hate women. People on Tumblr have called both Fullmetal Alchemist and Dungeon Meshi shoujo because A Woman Wrote Them. God forbid you try to have a real conversation about mahou shoujo or mecha, that isn't based on telephone game distortions of one-to-three of the most popular (in anglo spaces) franchises. It's like... imagine you're trying to make an educational blog post about shark biology, and people won't stop "correcting you" about the fascinating anatomy of shark's rough skin, because "lol sharks are smooth, they're so smooth, don't you know?" They laugh at you being so pedantic as to try to actually communicate information about the world, and they won't take in anything you're actually saying or engage with it in good faith. Except it feels like about half of the people in Tumblr anime discussions do believe, figuratively, that Sharks Are Smooth In Real Life.
...honestly, the "I don't need to learn anything about the media history of other countries and cultures, I can just call things [japanese genre name] based on vibes" take feels kind of racist. Though I also see this attitude in areas where you can't really say it's racist or otherwise bigoted, just... kind of obnoxiously anti-intellectual? Anti-learning? A sense that vibes and shitposts are the only form of communication that matters, and caring about details and communicating those details makes you a wet blanket redditor who hates fun.
Like how stubbornly the fanfic writers on Tumblr refuse to take being corrected about the meaning of "favoring a leg" in veterinary contexts, and how frustrating it is for people for whom the clarity of its meaning is actually important in their real lives to be told that they're wrong because words mean whatever the majority wants them to.
Okay normally I'm on the side of "words mean whatever we need them to mean".
but guys, I don’t like the suggestion that it’s what is happening here. Being unfamiliar with the term, and guessing its meaning based on vibes, doesn’t mean you have equal authority on whether it’s “correct” with the community who actively use this word in a technical sense.
please do consider that if you haven't been exposed to the word in the context it's used in, "both are correct" and "you can interpret it differently" and “there is no right or wrong answer” and “it feels like it SHOULD be X” cannot be a fully realised take. Sure, linguistics recognises there are rules in which meaning changes - but “laypeople being unfamiliar with the word, and liking vibes better” isn’t one of them.
Quite frankly, "words mean whatever Vibes they convey to me personally" is probably also why fandom-culture SJ has gone so fucking disastrous in the long run: words and phrases that were initially given very specific definitions to talk about complex nuanced sociological contexts get simplified, or even warped into the exact opposite of what they originally meant, based entirely on the Vibes they convey in snappy, viral, bite-sized tweets and Tumblr posts and TikTok videos. You cannot have a coherent conversation about "intersectionality" or other theory-jargon in such an enviroment, but instead have to explain their original meanings over and over to an ever-growing unlistening cloud of rebloggers and repliers... the exact problem coining terminology was meant to alleviate in their original contexts.
Also it just makes your life hell if you love learning and don't like the idea that a True Enlightened Progressive rejects the yucky boy world of fact-checking and information curation/preservation for getting your understanding of reality from Unconscious Innate Feminine Wisdom. Vibes can help you with understanding some things (like folk taxonomy, mythological symbolism, etc), but to treat them as the only thing that matters is... not for me. And I'd rather talk fandom with people who know when to put the vibe-reading on the shelf and talk about something a little more... concrete, or at least historically established.
I've suspected that the modern "adoptable" is a several-generations removed descendant of 90's and early 2000's "cyberpets," but as a kid I mostly only ever interacted with free-to-adopt pets that could be adopted by an infinite number of people; I was aware limited-quantity pets via application submissions and "breeding" were available, but I have fewer memories of them because I didn't really have a website to participate in them with. (I just saved the free pets on my hard drive, lmao.) It's very similar to how limited adoptions have existed in the Petz Community since at least 1998, but I mostly just downloaded free petfiles or breedfiles that didn't require talking to people.
(
kalium has talked about similar levels of rarity and scarcity existing with roleplay characters in fantasy animal forum RP of the era, which is 100% a related phenomenon... just one I've been exposed to less on my own end.)
The problem with researching cyberpets? It's hard to find evidence via search engine that they ever existed. I keep getting results for some very recent take on the "robot toy dog" concept being sold under that name, as well as unrelated garbage articles and images that happen to have good SEO. Robot dogs (and other robot pets like Furbies, and virtual pets like Tamagotchi, etc) were part of a general Y2K fascination with virtual animals, but they are not even a little bit the same thing as a cyberpet. A cyberpet is a funny little image file that lives on the internet, got it? Some are just static pngs, some have "mechanics" that are roleplayed by the creator and adopter, some of the later forms of cyberpet whole website backends like Dragon Cave or Neopets. Bunnyhero Labs even had interactive Flash-based cyberpets. But a cyberpet is, at its core, an picture of an animal on a website, with some kind of certificate or verification showing that you've "adopted" it and that it's yours. (Even if it's one of the ones can be adopted by infinite people, you often get a little adoption certificate to put on your page next to it.)
But... I think I just found some evidence that backs up my theory of adoptables being an evolution of cyberpets?
There was a cyberpet marketplace. They used fake currency, not real money, but still. You have the concept of character designs as a good that can be bought, sold, and traded! Right here at the dawn of the 21st century!
The Market
Welcome to the Market, a unique place where one may buy, sell, and trade various creatures.
How it works
If you wish to participate in the market you must send in a form requesting registration. After becomming a member, you will recieve a certain number of credits. Credits can be used to purchase goods and livestock of many varities. As a member, you will recieve 100 credits(c.) on the first of each month. That means everyone gets 100 credits every month just for being a member! Yes, I did change it back from three to prevent inflation. Credits can be obtained in many ways:Wyvern Breeding- Breeding wyverns is an interesting and profitable buisness. You start by purchasing a pair(or more) of the creatures from the market. Females may lay eggs once every month, after paying a small fee. They may lay up to 10 eggs and the owners have the option of selling the eggs or hatchlings to other members of the Market. Wyverns, if they are available, can be found in the Roost.
Selling Livestock- Selling a creature that YOU MADE. Adds for creatures may be placed on the board below. The livestock auction is now open! If you wish to sell an item, please do so on the Livestockboard.Also, auctions are to be posted ONLY on the auction board.
Doing a Favor for Yours Truly- If you wish to do a trade with me dirrectly or if I ask you for help with something, you can earn some credits. Just dont bombard me with a hundred trade requests please ~.~I, DragonSpyrit, must be notified of ALL transactions via the form that will soon be posted below or Email. You must tell me how many credits a person spent, who they were, and who you are. The 5c. selling fee has been deactivated. I will also be keeping running lists of your credit totals.
Also, please keep in mind that the Livestock board is the main part of The Market, not the Roost.The roost is down again due to the fact that DS is overwhelmed with stuff to do. Id appreciate it if no one complained, concidering that I get no money fro wyvern sales and it takes 20 minutes to draw, scan, color, upload, and put each wyuvern up on the page.
(I've left all of the misspellings on the original page as is...)
Here's an example of a "market stall" for boutique cyberpets. You can definately see how the concepts at play here have evolved into new forms later down the line, right? And here's another market stall, and yet another.
BTW: That last site, Clearwater? Also has a bunch of free-to-take cyberpets, which is the main thing I remember it for. If you have a website, consider adopting one! I always liked the Glerit on the "canyon" page of the site. There's also two secret pages with secret pets...
If you're into smallweb/oldweb stuff, consider adopting and making free cyberpets! They're such an iconic part of early web culture for me, as irremovable from my nostalgic conception of my childhood as dubbed anime and Nintendo games are to a lot of my age-peers. And you know what? I never see them acknowledged on the intentionally nostalgic throwback sites people make at all. Never! They're literally collectible gifs, don't people love those? Cmonnnn you wanna make a web page for magic animals so baaaaad
Image Rot...
Dec. 26th, 2025 10:07 pmImage rot has taken some hotlinked images on Storming The Ivory Tower's 2011 blog post on "Iconic Color" in character design, significantly hampering its ability to illustrate the concepts being discussed. The hotlinked images are nowhere on Wayback, either.
So, I've decided to upload an image (mentioned but not shown directly on Ms. Keeper's blog post) related to the concepts directly onto my account for future use:

(Saving it as a color-index png roughly halved its file size, btw.)
Thinking about images on the internet
Oct. 24th, 2025 07:53 pmI've seen a lot of people complain about Pillowfort not allowing image uploads of larger sizes.
I'm not on Pillowfort, but I did help a friend reduce some image file sizes to upload to a different website. And you know, the funny thing is... a color-indexed PNG is much smaller than its full-color version, even when they have the exact same number of colors. And there's images where there will be colors missing, but it's surprisingly difficult to notice. Reducing the file size of scanned images of traditional artwork works better with color indexing than I ever thought it would.
And pixel art? I'm now realizing that saving them in full color is absolutely nothing but a waste of file size. They don't gain much of anything from being saved in RGB.
Like... the Stardew Valley screenshot I shared in this old post? It's color-indexed. It's a little under 20 KB. Neat, right?

Here's a piece of digital artwork I found online. The original artist, judging from the watermark, is ArcadianPhoenix. When I tried to hunt down the source upload, I found that ArcadianPhoenix long ago deleted their entire Deviantart presence - unsourced re-uploads are the only way this image survives.
The image is 900 pixels long and 696 pixels tall. It is a png, and examining it in GIMP finds it to be color-indexed.
Its file size is 132 KB, or more specifically 136,038 bytes.
I can tell this image isn't true pixel art, but rather a digital painting with airbrushed shading that got converted into a dithered, color-indexed image in post. Yet I don't think it hurts the image that much here? The color banding is most obtrusive on the ground the dragon is standing on, and the dithering elsewhere in the image lends it an interesting texture.
I've been thinking a lot about how people have gotten habitually sloppy about avoiding bloat, in both designing offline applications and designing websites. Modern websites run like garbage if you have weak or slow internet, while a website last updated in 2010.. well, it won't necessarily look great on a phone, but at least it'll finish loading in a timely manner. I'm thinking a lot about how cleaner, lower-byte web design is an art that needs to be understood and appreciated by the "slow web" movement, as well as embraced by the mainstream. And the high "weight" of images, video, and audio (and the devaluing of ways to reduce their "weight") is just one part of that issue.
Suggested Further Reading:
I'm so sick of Discord servers, man.
Random Musing
May. 29th, 2025 02:37 pmIf you want to develop an art style that is hard for AI to imitate...
You might want to consider pixel art?
It's possible that this weakness will get fixed as the models develop, but for now - image generation seems to be consistently dogshit at pixel art. People ask it to make pixel art and it makes, like... pseudo-pixel art. There's mixels, there's jpeg-like artifacting, it looks bad. Mimicking photography, digital painting, and vector-like flat shaded art all seem to be easier for the models than pixel art - probably because the training data contains more of those things than it does pixel art, but I also wonder if there's something intrinsic to how image synthesis works that makes understanding "pixel art" as something more specific than "theres a bunch of squares and rectangles" difficult.
This also reminds me of the issue of how hosting images is one of social media's sources of bandwidth issues. So much of current fanart culture is focused on posting high-fidelity images with large filesizes, but ultimately every website with unlimited image hosting is going to run into the server and bandwidth costs involved. Was talking about how this bodes badly for the future of conventional social media that doesn't plan on using predatory practices (selling personal data, etc), and how the internet at large might need to pivot back to a text-centric culture if we want more socmed options that are both non-exploitative in their monetization models and financially sustainable (but most people i've mentioned this are afraid this would mean the death of fanart in fandom), they mentioned:
my first thought is getting back into the art of making small-scale pixel art and such, that kind of thing used to be all over the internet and generally the filesizes for them are a lot smaller than large-scale renders and digital paintings and such
I feel like art optimized for small filesizes is something that's become... less of a common skill? I miss tiny-handful-of-KB pixel graphics being all over the place, but also typical social media displays cute little animated gif pixel arts... abysmally, because their imageposting format is designed for photosets. My conversation partner added:
yeah true, display sizes on social media aren't geared towards smaller-scale images i wonder if the "add gif" kind of feature that some sites have could be tuned to account for small pixel and reaction kind of gifs to display them more clearly, i feel like it'd be relatively easy to make that a popular feature considering how much people like using emojis
I think about how decorative pixel graphics used to be very popular on Tumblr back when users were encouraged to customize their page's HTML (remember those Homestuck "pixel families" and the edits of them to represent other fandoms?), but I've noticed that Tumblr has been... not outright removing the ability to make custom HTML pages, but making it harder for new users to even know it's an option, and altering the UI to discourage viewing the site via custom pages and encourage viewing blogs the more standardized pseudo-mobile format.
yeah, customization being removed on a lot of bigger sites definitely seems like a factor in stuff like that declining
I think there's multiple good reasons to shift back towards pixel/sprite art in the wake of fandom artist anxieties over being replaced by AI, the decay and collapse of last decade's Standard Online Experience, etc. But that doesn't mean people are actually going to try, or even think to do it. And I'll never be persuasive enough to start any kind of movement, so.

This was very obviously taken from someone's deviantart page or something, right? The artist wanted to redraw a design they liked, or "fix" a design they disliked, and placed the two side by side for comparison. I've seen this sort of thing a lot. There's a signature in the bottom right corner, but it doesn't give me enough information to look up the original artist. In any case, it's obvious this was never intended for use as clipart.
Any idea who might have made this drawing? And, for that matter, the artist and origin of the dragon drawing on the left - the original design? The redraw strikes me as the work of a young 2000's hobby artist heavily influenced by anime - and is obviously digital. The original drawing feels more in line with professional fantasy art from the late 20th century (though it could be more recent), and feels like it was potentially made with traditional media.
EDIT: Source found! Thank you,
caramelchameleon!
Tineye reverse image search brought me to a 404 page but the overall deviantart gallery is still up and clearly matches the style of the redraw: https://www.deviantart.com/draknairy/gallery
The original artist's portfolio site has it filed under "concept art": http://guro.com.ua/concept/2, and there are two more images that seem to be from the same series, showing a young woman with a raygun who appears to be the main character and some enemy designs. (The latter doesn't show up in the grid view but it's there if you click the dragon and navigate to the right). That's all I can find.
The original Pokemon games always felt haunted because the programming was held together on chewing gum, string, duct tape, and prayer. The abundance of glitches, eccentricities, odd design decisions, and unexplained lore that would later be sanded out is vaguely unsettling and intriguing on its own. Like, there are multiple references to real world locations and events in the original games, and 'Kanto' is just based on the Kanto region of Japan, suggesting at least that Red/Green take place in an alternate reality Japan. Gold, Silver and Crystal aggressively retcon, essentially making the Pokemon Universe its own thing, while adding some troubling and unsettling implications of its own, like the silence of Red, Mt. Silver being sealed off, the Cinnabar disaster, the revival of Suicune/Entei/Raikou, the rival being a cruel, petty thief of unknown origin, Eggs, Celebi and the lost GS Ball event, etc.
The thing that makes the Gen III games such a radical break is how much less unsettling they are. This is a function of the GBA inherently being less spooky than the GameBoy/GameBoy Color, but also of design decisions opting for more vivid colors and a lot of more straightforwardly 'cool' Pokemon. Ghost, Dragon, and Dark actually became more standard types with a huge expansion in the available number. The Pokemon series is the series established by Ruby and Sapphire, I would argue. In a sense it's true that Pokemon, as we knew it in GSC, did not continue. It mutated into something with fewer edges, something bright and fun and increasingly lacking in the jank that gives the early games their unique appeal. For Pokemon to survive it had to move beyond that. They never became exceptionally well-programmed, but they weren't janky until Sword/Shield and then Scarlet/Violet, and those are different types of jank. though S/V can be unsettling in their own right especially when you fall through the world or go somewhere you shouldn't be able to. The unclimbable landmass always disturbs me a bit, like I know there's nothing, but it feels like there should be something there.
The 'haunted' energy isn't usually captured by romhacks that use the Gen I/II engine because they're trying too hard, and the people writing them are brain poisoned by creepypasta and 'edgy' media. I think if they want to make something genuinely unsettling, they need to play at least Earthbound, if not also Mother 3, to get some idea of how to generate an 'off' vibe. The best horror is left partially to the imagination. Rather than gore or explicitly fucked up stuff, which usually triggers disgust rather than fear, the point of a 'haunted GameBoy game' should be to give you the increasing sense that something is Just Not Right. It'd be funny to just do a Red/Green mod that 'fixes some of the bugs', and not tell anyone that it's a romhack that gets increasingly weird the deeper you get into it. like, you encounter Pokemon or items in the wrong location, some doors or ladders take you to places they shouldn't, some trainer AI will be extremely odd, things will randomly appear in your inventory that you didn't pick up, and sometimes a text box will pop up, unprompted. You're Running Out of Time. There's never any explanation or pay-off for that message, nor does it correspond to playtime or anything. At the end, instead of silence, Mewtwo talks to you, but what they say doesn't make any sense. But it has Implications. you can't help thinking about what Mewtwo said. however, Mewtwo only speaks the first time you play the romhack, and never again. Also, you can't actually catch Mewtwo. The player character refuses to throw the ball. A message pops up. 'I can't do this anymore.'
Youtube comments are ephemeral things. I wanted to save this one.
Link of the Day
Dec. 4th, 2024 09:28 pma convo w/ rj about tv-signoffs.com
I stumbled upon a website about TV Signoffs, which is "devoted to the memory of a bygone era in American broadcasting", when stations didn't broadcast 24/7. I was delighted by this hyperspecific [and interesting] find, so I showed it to my go-to friend for these discoveries, RJ. This led to a conversation that I thought was worth sharing, so that is exactly what I'm doing :P
You can read RJ and Lindsey's conversation here. I think it's of interest to both the oldschool Dreamwidth crowd and the Cohost expat crowd?
...unfortunately, as of 2024, TV-signoffs.com no longer exists - not in a way that matters. Towards the tail end of 2023, the site simply became a blank page for its hosting service. Going to the link as of 2024 will simply show a camped-out domain with a very modern-looking (derogatory) Wordpress placeholder site.
Here's what the site itself looked like in 2022, when RJ and Lu had their conversation:
https://web.archive.org/web/20220523012423/https://tv-signoffs.com/
im coining a new pinterest aesthetic. im calling it. linkrotcore™️
it's based around clearly broken and redacted images from the rotting of the old web. straight up missing images. images that don't show up because "no hotlinking." empty spaces, watermarks, and placeholders where beauty used to be. frustrating lacunae. move over babes THIS is the new hotness:
(I know hosting images on Discord is a bad idea - in this case the fact the image will definitely rot is part of the post. Conceptually.)
So this song has been stuck in my head...
Sep. 15th, 2024 09:23 pmA friend, when I showed her it, told me that:
yeah, a lot of the non-meme vocaloid fanwork I've been seeing has been about this one music video
And I think I understand why? It has some of the kind of qualities that often drew people to make little mini-fandoms for specific Vocaloid song+mvs: catchy song, distinctive designs (that are variants of the vocaloids singing the song), and a vague/implied narrative (bonus for dark qualities) ripe for speculation and iteration on.
The main difference is that I hazily remember a lot of classic Vocaloid mini-fandoms were for things that wore their edgy, dark, or angsty qualities on their sleeve, like Daughter of Evil or Dark Woods Circus; this particular juxtaposition of a cheery exterior with a dark underbelly feels influenced by '10s and onwards web-horror, particularly unfiction (you know, ARGs and stuff) and stylistically adjacent media where the evil hides under a kiddy, utopian, or otherwise friendly/safe aesthetic. Detail like Teto blinking the morse code for SOS, making the American sign language sign for "help," etc. feel very modern compared to the way 00's web-media would convey the "cute thing is actually sinister" premise before the Big Reveal at the end.
Now imagine an old man, puffing a pipe, grumbling that "kids these days don't want hatsune miku dark fantasy Alice-in-Wonderland hanakaki yandere cannibalism guro anymore. All they want is to play bright, colorful videos at .01% speed and collaboratively decode ciphers messages about how the cast of Whimsy's Playhouse is suffering."
The difference between me and that old man is that I'm delighted to be able to witness this stuff. :)
(Also the more classic edge still exists - check out Fallstay's "-ism" series - it's just not what's hip with the kids.)
The Perfectionism Complex
Sep. 11th, 2024 09:39 pmI really, really do need to get around to making a website. I think a website will be the best way to store my observations in the long term, as long as I always make sure to keep a hard-drive copy of the site's contents on hand. I just... need to remind myself that as much as I think many of my interests need a big, comprehensive fansite (your Serebii, your Starman.net, your Rumik World and Empty Movement)... I am not in the position to make something of that scope from scratch. All of those websites had humble beginnings; they weren't made in a day.
I kind of... wish, I had participated in Petz' website-making culture, instead of just lurking. Because the websites Petz fans make are so beautiful, but they're beautiful because many Petz fans have like... 15 or more years experience working with HTML and CSS. There's an experience gap between me and them, because I was a timid child afraid to do things, often watching other children play on the web. I need to remember that in terms of experience, where I am now is where they were 15 years ago, 20 years ago, 25 years ago; I need to let my first website be the website of a child, even though I'm over 30, and grow as I learn
When I worry over getting things perfect on the first try, I never getting anything made.
Porting over from Cohost...
Sep. 10th, 2024 02:57 pmI was on Cohost for less than a year, but it was... it felt better than Tumblr.
Tumblr feels increasingly hostile to the kind of posting I want to do. Good faith, nuanced discussions that don't get reduced down to memes or soundbites. Cohost's culture was by no means perfect, of course. No sites' is. I definitely remember seeing how the userbases' unexamined racism reared its head, and how the staff was far too slow to address it. But there was a sort of... tolerance, for being earnestly weird. In many cases, an open embrace and celebration of it.
Tumblr is filled with people who are viciously hostile to anything they deem cringe, where anything from reading certain books that happen to be popular online (House of Leaves...) to speaking too enthusiastically or clinically is taken as something worthy of disgust and disdain. Whatever meme, imagery, or media people freely enjoy one month becomes a punchline for a bad and stupid person within less than a year.
It's fucking stifling. I want to be earnest. I want to engage in my natural tendency to use analysis as a form of play, a thing I've enjoyed since I was little, without being mocked for being "like a Redditor." I've seen good friends get harassed off of Tumblr because of its culture. And yet nearly every more mainstream website is ...worse. I already knew, back when Livejournal was enshittifying around 2009, that I didn't want to migrate to Twitter; its format immediately struck me as hostile to how I naturally enjoy the internet. That initial instinct has been validated, and I do not want to go to anything modeling itself after Twitter. Reddit is uncanny - in some ways like forums, like Livejournal "communities", but... not quite right. Something about the design makes it not function the same way, but I don't understand enough about how website design impacts function to articulate why. And Pinterest, Instagram, Tiktok? Don't make me laugh. I do draw, from time to time, but my primary mode of online expression has always been text.
It's interesting that several Cohost users are jumping to Dreamwidth. To me, Cohost itself already felt like a hybrid of 2011 Tumblr and Livejournal in its prime; nothing trying to be modern in how it approaches the concept of "social media" is going to fufill the approach to textposting that Cohost had.
If there's one thing I can suggest - the "community" feature was one of my favorite parts of LiveJournal, and I want to see how cohost-jumpees take advantage of it on Dreamwidth. Being able to post content in a moderated community solves issues that the tag-as-watering-hole approach of Tumblr and Cohost had: you can set aside, for example, a moderated community for intersex issues that disallow fantasy-genital porn; contrast with the futility of trying to individually correct the behavior of every user who mistags fantasy genital porn as #intersex in a website's tag feed. In Livejournal's prime, there were often multiple communities for different facets of a topic or interest: nsfw vs sfw topic communities, different aspects of of a hobby or subculture, etc. I imagine there's many dead, abandoned communities on Dreamwidth, but there do seem to be a few living ones, too.
One that just posted today is
Another feature of Dreamwidth that originates from Livejournal is having multiple icons, avatars, pfps - whatever you want to call them - per account. You can kind of use them to abstractly convey the mood, tone, and topic of individual posts, and even individual comments. You should be able to find premade options here. You can also make and upload your own icons. If you just wanted to fill all your slots with different drawings of your fursona's face to act as visual tone indicators... you can do that! I always thought it was a neat feature, and was sad no 2010's social media copied the idea off of LiveJournal.





